“We live in the country now” – London to Cumbria, one year on (part 2)

A view through a window across fields, with a cat in the foreground.
Teddy enjoys the view from my study

One major reason we chose The Eden Valley as a place to live (aside, of course, from its stunning beauty, varied terrain and abundant wildlife) was that a couple of dear friends had made a similar move several years before.  Every time I read their Facebook updates I would feel a strange mixture of joy, envy and optimism.  What a life they were leading!  From the same part of London as us to a tiny village at the foot of a fell, they seemed to have made the transition comfortably and were busy entering fully into local activities and the life of a small community, including allotment owning, a book club and running a monthly film night in the village hall.

Sharon, a novelist who works from home, would go for lunchtime walks up the fell and take beautiful photos of the views.  Her husband, Adam, fulfilled his dream of owning a second-hand bookshop, the excellent Withnail Books in Penrith, and the satisfaction they felt in this new life was clear in every communication I had from them.  Once a year I would visit them and marvel at the happiness they’d found.

When the time came for our own move we started looking in the only part of Cumbria I was at all familiar with, the villages and towns in the Eden Valley, close to Adam and Sharon’s village of Croglin.

Croglin, for all its beauty and idyllic rural location, doesn’t have a pub (at least not one that opens with any regularity).  Kirkoswald has two.  It also has a doctors’ surgery and a small general store.  This was the obvious place to start, and as luck would have it, we didn’t have to look any further.  We’d made note of a handful of rental properties to view, but once we saw Ivy Cottage we canceled those viewings and filled out an application.

Our cottage is old, cold and damp, but full of character, and it sits on the edge of the village, with a view of fields and hills.  It provides more living space than either of us has had to ourselves before, including a spare room which doubles as a studio for me.  The closest I came to having a separate art space before the move was a tiny shed on the patio of our shared house.  Now I have a sunny room for all my art materials and desk, and views of lambs frolicking outside while I work.

The first week we moved (March 2016) we had no heating. We didn’t even have logs for the stove in the living room.  We wore many clothes to bed and huddled by a small electric heater when we got dressed in the mornings.  You could see your breath in every room in the house and we had no idea when the delivery of heating oil would arrive.  Eventually it did, of course, and we soon began to feel at home with all our things around us.  We would go for walks and on returning to the village would look down the hill at the little main street with its pubs and red stone houses, and say “I can’t believe we live here”.  We still say this.

One day in the summer I went for a run.  Half way to Croglin I had to stop to let a flock of sheep pass me on the road.  In London, any interruption to my runs would cause me to panic and do that annoyingly pointless jogging on the spot that city runners do at traffic lights. Stopping, waiting and catching your breath is no bad thing when you’re just out for a gentle recreational jog, and I was happy to watch the sheep bundling past me along the country lane.  I took a picture.  I tweeted it.

Later that day a reporter from the local paper contacted me.  He’d seen my tweet and thought that a city artist moving to the country would make a nice story.  He gave me a lovely write up and a double page spread, and as a result of that I was commissioned to produce a large picture for a client to give her husband as a gift.  Never underestimate the power of Twitter.

The article about me in the Cumberland News
Double page spread!

The most exciting thing to happen in our first year in Cumbria was Teddy.  Getting a cat was always part of our plan but we needed to settle in, and get permission from the landlord.  As soon as we paid our pet deposit and got the letter of permission we headed to the local rescue centre, Eden Animal Rescue. In an enclosure with three other kittens was the most beautiful tabby and white little girl.  She purred when we picked her up.  Within minutes of arriving home she had established herself, quite calmly, as a member of the household.

I can now hardly remember a time when I didn’t have to make frequent checks to see if Teddy was chewing the cellophane packaging on my greetings cards, or stepping onto a work in progress with muddy feet.  She loves to drape herself around my neck while I’m at my desk and dribble happily onto whatever I happen to be working on.  She naps on the spare bed while I draw, and grumbles in her sleep.  She comes not just onto, but into our bed at night (yes, we totally indulge her) and crawls down under the covers next to me.  She bites us when we don’t give her breakfast early enough, and leaves dead shrews under the tv.  We can’t get enough of her.

Me at my desk with a tabby and white cat draped round my neck.
My studio assistant, Teddy.

Recently I have been on sick leave from the bakery due to tendonitis in my right arm.  I have used this time to really work hard at increasing my profile on Twitter, trying to drum up new commissions, and creating artwork that I can sell as prints (a watercolour of our local pub, which is proving quite popular).  Going back to the factory will be tough, but I’ve had a taste of the freelance lifestyle and my most fervent desire is to become a full-time artist and illustrator.  I want to manage my own time, do the things I love, spend more time in my lovely home, in my lovely village, with my lovely boyfriend, and sell things that make people happy.  Maybe this coming year will bring me one step closer…

“We live in the country now” – London to Cumbria, one year on (part 1)

A rainbow over a wide vista of fields and trees.
Rainbow over Eden Valley

Have you ever had a dream come true?  Seriously, something that you’ve longed for and dreamt about, and thought that most likely wouldn’t ever happen? And then, gradually, you realise that it actually could become a reality, and you start to plan and save, and search and work, and one day there you are, living the dream.  Mostly.  A few things could be better, or easier, but really, it’s close enough.

As a small child I wanted to live in the country.  Well actually, what I repeatedly stated was that I wanted to live ‘in the wild’.  I imagined myself communing with wildlife and being entirely self-sufficient.  I devoured the books of Enid Blyton, including, notably, The Children of Cherry Tree Farm, The Children of Willow Farm and More Adventures on Willow Farm with their rosy depictions of country life as experienced by a family of city-born children, and a ‘wild man’ called Tammylan who lives in an actual cave.

Some versions of my dream included living in a cave, others a cottage with many, many pets.  None of my stories included a man, incidentally, but I was only about eight or nine at the time.  As I got older the dream persisted.  As someone who has always preferred fantasy to reality I assumed that a life in the country would always stay a daydream and I would be doomed to scraping a living in London, surrounded by noise, dirt, people (so many people!) and ugliness.

Then I met Peter.  He had a similar dream and similar views on so many other things (as well as similar humour, tastes, sense of silliness and a million other fantastic qualities) and there came a point that we started talking seriously about making the move together.

I think the important thing for both of us, and the thing which makes our relationship, and our new life in Cumbria work, is that we prioritise quality of life over almost everything else.  Neither of us had an established (or particularly well-paid) career in London (I was an extra in films and tv: a fairly precarious way to make a living) and we didn’t really want to limit our choice of location by looking for jobs first.  Foolhardy in some respects, but we checked out the lay of the land and figured we had a good chance of finding something once we’d narrowed down an area we liked.  Additionally, I knew I wanted to place more of an emphasis on my art and learn better time-management skills in order to combine a day-job with an increasing artistic output.

Golden fields next to a country lane
Winter sunshine on the fells.

We found a three-bedroom cottage which (to our amazement) costs less to rent than the room we had in a shared house in London.

I’ve been lucky enough to find a job in a large commercial bakery/factory 1.5 miles down the road from our village, and six months ago I reduced my  weekly hours from 38 to 31.  The ultimate goal, of course, is to reduce the day job and increase the art income (which currently makes up for the reduction in wages almost exactly), and I can see myself being able to do this further in a year or so.

The ability to take pleasure in simple (preferably free) things is a huge advantage in this scenario.  Having very much enjoyed certain aspects of London life, such as ready access to a host of pubs, restaurants, cinemas, theatres and other forms of entertainment, there might have been a concern that village life couldn’t compete on such a level and I’d get bored very quickly.  Fortunately, while I enjoyed availing myself of these pleasures, they were never something I craved, and I find myself perfectly content with occasional excursions to the nearest town, or weekends away to a big city.  In fact, even a weekend usually feels too long to be away from our lovely village and peaceful home life.

A green field with sheep in the foreground and a misty background
Sheep and mist

We spend our evenings in front of the fire with a DVD, a book, or music, and our weekends walking or just hanging out at home, or at one of the two very nice pubs the village has to offer. We can walk for three minutes and be in woodland or fields full of sheep and lambs, and we never cease to marvel at our gorgeous surroundings: the rolling fells with their patchwork fields and old stone walls, the soft feathery look of a distant copse on the slope of a hill, a red squirrel high in the tree tops or the clamour of a gaudy pheasant who flaps suddenly upwards, away from our approach.  These are the things that provide fulfilment, moments shared with the person I love, and the sheer majesty of the natural world.

[To be continued…]